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                <text>Poissons. Chine.</text>
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              <text>&lt;p&gt;Robert Bateman est un naturaliste et un peintre animalier canadien n&amp;eacute; &amp;agrave; Toronto en 1930. D&amp;egrave;s l'enfance, il montre beaucoup d&amp;rsquo;int&amp;eacute;r&amp;ecirc;t pour la faune et la flore. &amp;Agrave; l&amp;rsquo;&amp;acirc;ge adulte, il voyage autour du monde pour explorer la nature et pour trouver de nouveaux sujets pour ses toiles. N&amp;rsquo;ayant pas eu l&amp;rsquo;intention de vivre de son art, il devient professeur d&amp;rsquo;histoire tout en continuant &amp;agrave; peindre. Il s&amp;rsquo;illustre d&amp;rsquo;abord en r&amp;eacute;alisant des peintures abstraites et c&amp;rsquo;est &amp;agrave; partir du d&amp;eacute;but des ann&amp;eacute;es&amp;nbsp;1960 qu&amp;rsquo;il se met &amp;agrave; peindre des paysages r&amp;eacute;alistes. Entre 1970 et 1980, le travail de Robert Bateman commence &amp;agrave; &amp;ecirc;tre reconnu. Il quitte alors le monde de l&amp;rsquo;enseignement pour se consacrer compl&amp;egrave;tement &amp;agrave; la peinture. Plusieurs expositions lui sont sp&amp;eacute;cialement consacr&amp;eacute;es, dont celle du &lt;em&gt;Smithsonian Institution &lt;/em&gt;de Washington, en 1987.&amp;nbsp;Ses tableaux refl&amp;egrave;tent ses engagements pour la protection de la nature. Il utilise son art pour la d&amp;eacute;fense de l&amp;rsquo;environnement. Plusieurs de ses tableaux ont &amp;eacute;t&amp;eacute; choisis par la fondation de la faune du Qu&amp;eacute;bec pour illustrer leur timbre de conservation. Il est aussi le cr&amp;eacute;ateur de &lt;em&gt;The Robert Bateman Foundation &lt;/em&gt;qui a pour objectif d&amp;rsquo;encourager le respect de la nature. &amp;nbsp;&lt;/p&gt;</text>
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              <text>&lt;a href="http://atrium.umontreal.ca/notice/UM-ALEPH002189629" target="_blank"&gt;DERRY, Ramsay, &lt;em&gt;The Art of Robert Bateman&lt;/em&gt;, Markham, Ont.: Allen Lane, 1981, 178p.&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://atrium.umontreal.ca/notice/UM-ALEPH002183959" target="_blank"&gt;ARCHBOLD, Rick, &lt;em&gt;Robert Bateman : An Artist in Nature&lt;/em&gt;,New York, N.Y. : Random House, 1990, 175p.&lt;/a&gt;</text>
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                <text>Photographie tir&amp;eacute;e de l'ouvrage &lt;em&gt;Robert Bateman: an Artist in Nature.&lt;/em&gt; paru en 1990.</text>
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                <text>&lt;a href="http://atrium.umontreal.ca/notice/UM-ALEPH002183959" target="_blank"&gt;BLRCS&lt;/a&gt;</text>
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                <text>New York, N.Y. : Random House</text>
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              <text>Thomas Bewick apprit t&amp;ocirc;t &amp;agrave; observer la nature. Apprenti chez le graveur Ralph Beilby &amp;agrave; Newcastle upon Tyne, il apprend la gravure sur cuivre tout en touchant &amp;agrave; la gravure sur bois. Il adaptera ainsi le burin de la gravure sur cuivre &amp;agrave; la gravure sur bois par la technique du bois dit &amp;laquo;de bout&amp;raquo;. Cette technique permet &amp;agrave; l'artiste de r&amp;eacute;aliser des sc&amp;egrave;nes grav&amp;eacute;es aux d&amp;eacute;tails plus pr&amp;eacute;cis et plus d&amp;eacute;licats. Si Bewick se montre un graveur remarquable, il est aussi un maquettiste novateur, &amp;eacute;quilibrant mieux le texte et l'image par l&amp;rsquo;int&amp;eacute;gration dans le texte de vignettes histori&amp;eacute;es. Ses repr&amp;eacute;sentations restent des t&amp;eacute;moins pr&amp;eacute;cieux de la vie paysanne anglaise du tournant du 19&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle. L&amp;rsquo;int&amp;eacute;r&amp;ecirc;t pour l&amp;rsquo;&amp;oelig;uvre de cet artiste ne s&amp;rsquo;est jamais d&amp;eacute;menti; aujourd&amp;rsquo;hui encore, les gravures de Thomas Bewick sont largement reproduites &amp;agrave; l&amp;rsquo;&amp;eacute;poque de No&amp;euml;l. En ornithologie, l'essentiel de son travail est paru sous le titre&amp;nbsp;&lt;em&gt;History of British Birds&lt;/em&gt;, &amp;eacute;dit&amp;eacute; en deux tomes (1797 et 1804) et comportant deux cent huit gravures sur bois pour les esp&amp;egrave;ces terrestres et deux cent quarante pour les oiseaux d'eau. Les huit &amp;eacute;ditions de cet ouvrage constituent l'un des plus grands succ&amp;egrave;s de librairie de l'&amp;eacute;poque en histoire naturelle.</text>
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              <text>&lt;a href="http://atrium.umontreal.ca/notice/UM-ALEPH002144527" target="_blank"&gt;HUGO, Thomas, &lt;em&gt;Bewick's Woodcuts : Impressions of Upwards of Two Thousand Wood-Blocks, Engraved, for the Most Part, by Thomas &amp;amp; John Bewick ...&lt;/em&gt;, London, : L. Reeve &amp;amp; co., 1870,&lt;br /&gt;&lt;/a&gt;&lt;br /&gt; &lt;a href="http://atrium.umontreal.ca/notice/UM-ALEPH002145000" target="_blank"&gt; BEWICK, Thomas, &lt;em&gt;Thomas Bewick's Birds : Watercolours and Engravings&lt;/em&gt;, Cambridge, Mass. : MIT Press, 1981, 52p. &lt;br /&gt;&lt;/a&gt; &lt;br /&gt; &lt;a href="http://atrium.umontreal.ca/notice/UM-ALEPH002144996" target="_blank"&gt; BEWICK, Thomas, &lt;em&gt;History of British Birds&lt;/em&gt;, Newcastle : Printed by Sol. Hodgson for Beilby &amp;amp; Bewick : Sold by them and G.G. and J. Robinson, London 1797-1805, 2 vol. &lt;/a&gt;</text>
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            <name>Format</name>
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              <text>&lt;span&gt;Philip Henry Gosse est un zoologiste et un illustrateur anglais. Son p&amp;egrave;re &amp;eacute;tait un portraitiste miniaturiste. Employ&amp;eacute; d&amp;egrave;s 15 ans dans une entreprise de p&amp;ecirc;che, il est envoy&amp;eacute; &amp;agrave; Terre-Neuve en 1827. Il s'int&amp;eacute;resse alors &amp;agrave; l'histoire naturelle de la r&amp;eacute;gion, en particulier aux insectes. En 1835, il devient agriculteur &amp;agrave; Compton dans les Cantons de l&amp;rsquo;Est, o&amp;ugrave; il se livre &amp;agrave; des observations sur la faune et la flore du Bas-Canada. Trois ans plus tard, il se rend en Alabama toujours aux fins de recherches naturalistes. &amp;Eacute;pouvant&amp;eacute; par la duret&amp;eacute; de la vie sur le front pionnier et par l&amp;rsquo;horreur de l&amp;rsquo;esclavage, il regagne Londres. Il publiera plus de 40 ouvrages dont &lt;em&gt;The Canadian Naturalist : a Series of Conversations on the Natural History of Lower Canada&lt;/em&gt; en 1840. En 1843, il est choisi pour une mission aux Antilles. Apr&amp;egrave;s un s&amp;eacute;jour en Jama&amp;iuml;que de 1844 &amp;agrave; 1846, il revient &amp;agrave; Londres et publie &lt;em&gt;Birds of Jamaica&lt;/em&gt;. Illustrateur scientifique plut&amp;ocirc;t qu&amp;rsquo;artiste, Gosse a &amp;eacute;t&amp;eacute; &amp;eacute;lu membre associ&amp;eacute; de la Linnean Society of London en 1850 et Fellow de la Royal Society en 1856.&lt;/span&gt;</text>
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              <text>&lt;a href="http://atrium.umontreal.ca/notice/UM-ALEPH002145062" target="_blank"&gt;GOSSE, Philip Henry, &lt;em&gt;Illustrations of the birds of Jamaica&lt;/em&gt;, London, : J. Van Voorst, 1849, [120]p. p.&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;GOSSE, Philip Henry, &lt;em&gt;The birds of Jamaica&lt;/em&gt;, London : John Van Voorst, 1847, 447p.</text>
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