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                <text>Plyctolophus Sulphurus</text>
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                <text>Cacatoès soufré</text>
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                <text>Planche tir&amp;eacute;e du fac-simil&amp;eacute; de l'ouvrage &lt;em&gt;Illustrations of the Family of Psittacidae, or Parrots&lt;/em&gt; d'Edward Lear paru en 1832.</text>
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                <text>LEAR, Edward</text>
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                <text>&lt;a href="http://atrium.umontreal.ca/notice/UM-ALEPH002167547" target="_blank"&gt;BLRCS&lt;/a&gt;</text>
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                <text>London : Pion Ltd. ; New York : Johnson Reprint Corp. </text>
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            <name>Date</name>
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                <text>01 01 1978</text>
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                <text>LEAR, Edward,&lt;em&gt;Illustrations of the Family of Psittacidae, or Parrots&lt;/em&gt;, London : Pion Ltd. ; New York : Johnson Reprint Corp., 1978.</text>
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                <text>Principles of Geology</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Zoogéographie, Biogéographie animale</text>
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            <description>An account of the resource</description>
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                <text>Page de titre de l'ouvrage de Charles Lyell &lt;em&gt;Principles of Geology&lt;/em&gt; paru en 1830.</text>
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            <name>Date</name>
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                <text>01 01 1830</text>
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                <text>LYELL, Charles</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>London : John Murray</text>
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            <description>A related resource</description>
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                <text>LYELL, Charles. &lt;em&gt;Principles of Geology : Being an Attempt to Explain the Former Changes of the Earth's Surface, by Reference to Causes now in Operation&lt;/em&gt;. London, : J. Murray, 1830-1833. 3 vol.</text>
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          <name>Original Format</name>
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              <text>Photographie</text>
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              <text>1939</text>
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              <text>&lt;span&gt;Raymond Ching apprend &amp;nbsp;d&amp;egrave;s l&amp;rsquo;enfance le dessin. Devenu adulte, insatisfait du poste de directeur artistique qu'il occupe dans une agence de publicit&amp;eacute; n&amp;eacute;o-z&amp;eacute;landaise, il commence &amp;agrave; peindre. Sa premi&amp;egrave;re exposition connait un franc succ&amp;egrave;s. Sir William Collins des &amp;eacute;ditions Collins, lui pr&amp;eacute;sente Peter Scott, qui propulse sa carri&amp;egrave;re &amp;agrave; un niveau international. Impressionn&amp;eacute;s par l'originalit&amp;eacute; et la singularit&amp;eacute; du travail de Raymond Harris-Ching, ces hommes trouvent en lui l'artiste apte &amp;agrave; r&amp;eacute;aliser le projet &lt;em&gt;Reader's Digest Book of British Birds&lt;/em&gt;. Publi&amp;eacute; en 1969, ce livre est devenu un best-seller traduit en plusieurs langues. Le style de Harris-Ching peut &amp;ecirc;tre d&amp;eacute;crit comme un expressionnisme conservateur, un style o&amp;ugrave; l&amp;rsquo;image d&amp;eacute;passe la simple pr&amp;eacute;cision photographique.&lt;/span&gt;</text>
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              <text>&lt;a href="http://atrium.umontreal.ca/notice/UM-ALEPH002145591" target="_blank"&gt;SNOW, David, &lt;em&gt;Raymond Ching, the Bird Paintings : Water Colours and Pencil Drawings, 1969-1975&lt;/em&gt;, London : Collins, 1978, 142p.&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://atrium.umontreal.ca/notice/UM-ALEPH002184879" target="_blank"&gt;TOMLINSON, David, COULSON, David, &lt;em&gt;African Wildlife in Art : Master Painters of the Wilderness&lt;/em&gt;, London, Eng. : Clive Holloway Books, 1991, 160p.&lt;/a&gt;</text>
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                <text>Raymond Harris-Ching</text>
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                <text>Raymond Harris-Ching</text>
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                <text>Photographie de l'artiste.</text>
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            <name>Format</name>
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                <text>17.5 X 12.5 cm</text>
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                <text>Reconnaissance des champignons</text>
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                <text>Champignons, Scoutisme</text>
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                <text>Double page extraite de &lt;em&gt;Boy Scouts of America: The Official Handbook for Boys&lt;/em&gt; paru en 1915.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Boy Scouts of America</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Garden City, NY Doubleday </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>01 01 1915</text>
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                <text>&lt;em&gt;Boy Scouts of America : the Official Handbook for Boys&lt;/em&gt;, Garden City, NY Doubleday, 1915.</text>
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            <description>A name given to the resource</description>
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                <text>Rhinoceros, The Square-Lipped African or White Rhinoceros</text>
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                <text>Rhinocéros, Animaux d'Afrique</text>
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                <text>NARDELLI, Francesco, HILLIER Matthew, RAPHAEL, Sandra&#13;
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                <text>&lt;a href="http://atrium.umontreal.ca/notice/UM-ALEPH002167382" target="_blank"&gt;BLRCS&lt;/a&gt;</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>London : Basilisk Press : Distributed by Weldon &amp; Wesley</text>
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                <text>01 01 1988</text>
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            <description>A related resource</description>
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                <text>NARDELLI, Francesco,&amp;nbsp;&lt;em&gt;The Rhinoceros : a Monograph&lt;/em&gt;, London : Basilisk Press : Distributed by Weldon &amp;amp; Wesley, 1988.</text>
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            <description>An account of the resource</description>
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                <text>Planche tir&amp;eacute;e de l'ouvrage &lt;em&gt;The Rhinoceros : a Monograph&lt;/em&gt; de Francesco Nardelli paru en 1988.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Richard Garner</text>
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                <text>Chasseur</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Photographie tir&amp;eacute;e de l'ouvrage &lt;em&gt;Gorillas &amp;amp; Chimpanzees&lt;/em&gt; de Richard Garner paru en 1896.</text>
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                <text>01 01 1896</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>GARNER, Richard</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="1694">
                <text>London : Osgood, McIlvaine</text>
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                <text>GARNER, Richard, Lynch,&amp;nbsp;&lt;em&gt;Gorillas &amp;amp; Chimpanzees&lt;/em&gt;, London : Osgood, McIlvaine, 1896.</text>
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              <text>&lt;p&gt;Robert Bateman est un naturaliste et un peintre animalier canadien n&amp;eacute; &amp;agrave; Toronto en 1930. D&amp;egrave;s l'enfance, il montre beaucoup d&amp;rsquo;int&amp;eacute;r&amp;ecirc;t pour la faune et la flore. &amp;Agrave; l&amp;rsquo;&amp;acirc;ge adulte, il voyage autour du monde pour explorer la nature et pour trouver de nouveaux sujets pour ses toiles. N&amp;rsquo;ayant pas eu l&amp;rsquo;intention de vivre de son art, il devient professeur d&amp;rsquo;histoire tout en continuant &amp;agrave; peindre. Il s&amp;rsquo;illustre d&amp;rsquo;abord en r&amp;eacute;alisant des peintures abstraites et c&amp;rsquo;est &amp;agrave; partir du d&amp;eacute;but des ann&amp;eacute;es&amp;nbsp;1960 qu&amp;rsquo;il se met &amp;agrave; peindre des paysages r&amp;eacute;alistes. Entre 1970 et 1980, le travail de Robert Bateman commence &amp;agrave; &amp;ecirc;tre reconnu. Il quitte alors le monde de l&amp;rsquo;enseignement pour se consacrer compl&amp;egrave;tement &amp;agrave; la peinture. Plusieurs expositions lui sont sp&amp;eacute;cialement consacr&amp;eacute;es, dont celle du &lt;em&gt;Smithsonian Institution &lt;/em&gt;de Washington, en 1987.&amp;nbsp;Ses tableaux refl&amp;egrave;tent ses engagements pour la protection de la nature. Il utilise son art pour la d&amp;eacute;fense de l&amp;rsquo;environnement. Plusieurs de ses tableaux ont &amp;eacute;t&amp;eacute; choisis par la fondation de la faune du Qu&amp;eacute;bec pour illustrer leur timbre de conservation. Il est aussi le cr&amp;eacute;ateur de &lt;em&gt;The Robert Bateman Foundation &lt;/em&gt;qui a pour objectif d&amp;rsquo;encourager le respect de la nature. &amp;nbsp;&lt;/p&gt;</text>
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              <text>&lt;a href="http://atrium.umontreal.ca/notice/UM-ALEPH002189629" target="_blank"&gt;DERRY, Ramsay, &lt;em&gt;The Art of Robert Bateman&lt;/em&gt;, Markham, Ont.: Allen Lane, 1981, 178p.&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://atrium.umontreal.ca/notice/UM-ALEPH002183959" target="_blank"&gt;ARCHBOLD, Rick, &lt;em&gt;Robert Bateman : An Artist in Nature&lt;/em&gt;,New York, N.Y. : Random House, 1990, 175p.&lt;/a&gt;</text>
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                <text>&lt;a href="http://atrium.umontreal.ca/notice/UM-ALEPH002183959" target="_blank"&gt;BLRCS&lt;/a&gt;</text>
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              <text>Ornithologue am&amp;eacute;ricain, Roger Tory Peterson est c&amp;eacute;l&amp;egrave;bre pour avoir popularis&amp;eacute; le guide de poche (field guide). &amp;Agrave; ce titre il est s&amp;rsquo;est av&amp;eacute;r&amp;eacute; un vulgarisateur in&amp;eacute;gal&amp;eacute; en son domaine. Apr&amp;egrave;s des &amp;eacute;tudes en design, il devient professeur d'art et de sciences dans une &amp;eacute;cole de la banlieue de Boston. Son premier guide, &lt;em&gt;A Field Guide to the Birds&lt;/em&gt;, publi&amp;eacute; par Houghton Mifflin en 1934, remporte un succ&amp;egrave;s inesp&amp;eacute;r&amp;eacute;. Le tirage de 2000 exemplaires est &amp;eacute;puis&amp;eacute; en une semaine. De son propre aveu, Peterson aurait &amp;eacute;t&amp;eacute; influenc&amp;eacute; par Ernest Thompson Seton et son livre &lt;em&gt;Two Little Savages&lt;/em&gt; pour ce qui concerne sa mani&amp;egrave;re de sch&amp;eacute;matiser certaines caract&amp;eacute;ristiques aviaires. Cette simplification dans l&amp;rsquo;illustration facilita la reconnaissance des diff&amp;eacute;rents sp&amp;eacute;cimens par le plus grand nombre. Apr&amp;egrave;s l&amp;rsquo;Am&amp;eacute;rique, Peterson s&amp;rsquo;int&amp;eacute;resse &amp;agrave; l&amp;rsquo;Europe et produit en1954,&lt;em&gt; Field Guide to the Birds of Britain and Europe&lt;/em&gt;, qui connait un succ&amp;egrave;s mondial, &amp;eacute;tant vendu &amp;agrave; plus de deux millions d'exemplaires. Par la suite, Peterson publie des guides de poche sur divers sujets, par exemple, sur les papillons et sur les coquillages.</text>
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              <text>&lt;a href="http://atrium.umontreal.ca/notice/UM-ALEPH002189629" target="_blank"&gt;DERRY, Ramsay, &lt;em&gt;The Art of Robert Bateman&lt;/em&gt;, Markham, Ont.: Allen Lane, 1981, 178p.&lt;/a&gt; &lt;br /&gt;&lt;br /&gt; &lt;a href="http://atrium.umontreal.ca/notice/UM-ALEPH002183959" target="_blank"&gt;ARCHBOLD, Rick, &lt;em&gt;Robert Bateman : An Artist in Nature&lt;/em&gt;,New York, N.Y. : Random House, 1990, 175p.&lt;/a&gt;</text>
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                <text>Portrait tir&amp;eacute; de l'ouvrage&lt;em&gt; Birdwatcher : the Life of Roger Tory Peterson&lt;/em&gt; paru en 2008.</text>
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                <text>Lithographie publi&amp;eacute;e par R. H. Porter et imprim&amp;eacute;e par la Swan Electric Engraving en 1910.</text>
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                <text>Planche tir&amp;eacute;e de &lt;em&gt;Forty Drawings of Fishes Made by the Artists who Accompanied Captain James Cook on His Three Voyages to the Pacific 1768-71, 1772-75, 1776-80 some Being Used by Authors in the Description of New Species,&amp;nbsp;&lt;/em&gt; ouvrage publi&amp;eacute; en 1968.</text>
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                <text>WHITEHEAD, Peter James, &lt;em&gt;Forty drawings of fishes made by the artists who accompanied Captain James Cook on his three voyages to the Pacific 1768-71, 1772-75, 1776-80 some being used by authors in the description of new species&lt;/em&gt;, London : Trustees of the British Museum Natural History, 1968.</text>
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