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              <text>Terence Michael Shortt est un ornithologue et artiste canadien, n&amp;eacute; &amp;agrave; Winnipeg le 1er mars 1911 et d&amp;eacute;c&amp;eacute;d&amp;eacute; &amp;agrave; Toronto le 28 d&amp;eacute;cembre 1986. &amp;Agrave; l'emploi du Mus&amp;eacute;e royal de l&amp;rsquo;Ontario d&amp;egrave;s 1930, il participe &amp;agrave; faire l'avancement de la recherche en ornithologie. En 1948, il devient chef de la section biologie du mus&amp;eacute;e. Au cours de sa vie il a men&amp;eacute; de nombreuses exp&amp;eacute;ditions dans de multiples r&amp;eacute;gions du monde tel que les &amp;icirc;les Galapagos, l&amp;rsquo;Inde et l&amp;rsquo;Afrique. Pour explorer les &amp;icirc;les Galapagos, il &amp;eacute;tait accompagn&amp;eacute; de l&amp;rsquo;artiste animalier &lt;a href="/omeka/items/show/145"&gt;Roger Tory Peterson&lt;/a&gt;. Il rapporte de ses voyages des &amp;eacute;chantillons qui permettent d&amp;rsquo;enrichir les collections du mus&amp;eacute;e.</text>
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                <text>Richardson, John et al., &lt;em&gt;The Museum of Natural History : Being a Popular Account of the Structure, Habits, and Classification of the Various Departments of the Animal Kingdom: Quadrupeds, Birds, Reptiles, Fishes, Shells, and Insects&lt;/em&gt;, Glasgow : M. Mackenzie, [1862?].</text>
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                <text>The Two Pots</text>
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                <text>Fable, Ésope, Estampe, Gravure de bois de bout</text>
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                <text>BEWICK, Thomas</text>
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                <text>&lt;a href="http://atrium.umontreal.ca/notice/UM-ALEPH002144993" target="_blank"&gt;BLRCS&lt;/a&gt;</text>
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                <text>London : Printed for John Stockdale</text>
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                <text>Planche tir&amp;eacute;e de l'ouvrage &lt;em&gt;The Fables of &amp;AElig;sop&lt;/em&gt; paru en 1793.</text>
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                <text>CROXALL, Samuel,&amp;nbsp;&lt;em&gt;The Fables of &amp;AElig;sop : with a Life of the Author and Embellished with One Hundred &amp;amp; Twelve Plates&lt;/em&gt;, London : Printed for John Stockdale, 4th. June 1793, 2 vol.</text>
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              <text>18.5 X 12.5</text>
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              <text>Thomas Bewick apprit t&amp;ocirc;t &amp;agrave; observer la nature. Apprenti chez le graveur Ralph Beilby &amp;agrave; Newcastle upon Tyne, il apprend la gravure sur cuivre tout en touchant &amp;agrave; la gravure sur bois. Il adaptera ainsi le burin de la gravure sur cuivre &amp;agrave; la gravure sur bois par la technique du bois dit &amp;laquo;de bout&amp;raquo;. Cette technique permet &amp;agrave; l'artiste de r&amp;eacute;aliser des sc&amp;egrave;nes grav&amp;eacute;es aux d&amp;eacute;tails plus pr&amp;eacute;cis et plus d&amp;eacute;licats. Si Bewick se montre un graveur remarquable, il est aussi un maquettiste novateur, &amp;eacute;quilibrant mieux le texte et l'image par l&amp;rsquo;int&amp;eacute;gration dans le texte de vignettes histori&amp;eacute;es. Ses repr&amp;eacute;sentations restent des t&amp;eacute;moins pr&amp;eacute;cieux de la vie paysanne anglaise du tournant du 19&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle. L&amp;rsquo;int&amp;eacute;r&amp;ecirc;t pour l&amp;rsquo;&amp;oelig;uvre de cet artiste ne s&amp;rsquo;est jamais d&amp;eacute;menti; aujourd&amp;rsquo;hui encore, les gravures de Thomas Bewick sont largement reproduites &amp;agrave; l&amp;rsquo;&amp;eacute;poque de No&amp;euml;l. En ornithologie, l'essentiel de son travail est paru sous le titre&amp;nbsp;&lt;em&gt;History of British Birds&lt;/em&gt;, &amp;eacute;dit&amp;eacute; en deux tomes (1797 et 1804) et comportant deux cent huit gravures sur bois pour les esp&amp;egrave;ces terrestres et deux cent quarante pour les oiseaux d'eau. Les huit &amp;eacute;ditions de cet ouvrage constituent l'un des plus grands succ&amp;egrave;s de librairie de l'&amp;eacute;poque en histoire naturelle.</text>
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              <text>&lt;a href="http://atrium.umontreal.ca/notice/UM-ALEPH002144527" target="_blank"&gt;HUGO, Thomas, &lt;em&gt;Bewick's Woodcuts : Impressions of Upwards of Two Thousand Wood-Blocks, Engraved, for the Most Part, by Thomas &amp;amp; John Bewick ...&lt;/em&gt;, London, : L. Reeve &amp;amp; co., 1870,&lt;br /&gt;&lt;/a&gt;&lt;br /&gt; &lt;a href="http://atrium.umontreal.ca/notice/UM-ALEPH002145000" target="_blank"&gt; BEWICK, Thomas, &lt;em&gt;Thomas Bewick's Birds : Watercolours and Engravings&lt;/em&gt;, Cambridge, Mass. : MIT Press, 1981, 52p. &lt;br /&gt;&lt;/a&gt; &lt;br /&gt; &lt;a href="http://atrium.umontreal.ca/notice/UM-ALEPH002144996" target="_blank"&gt; BEWICK, Thomas, &lt;em&gt;History of British Birds&lt;/em&gt;, Newcastle : Printed by Sol. Hodgson for Beilby &amp;amp; Bewick : Sold by them and G.G. and J. Robinson, London 1797-1805, 2 vol. &lt;/a&gt;</text>
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                <text>01 01 1891</text>
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                <text>Gravure représentant l'artiste.</text>
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              <text>17.5 X 12.5 cm</text>
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              <text>4 mai 1825</text>
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              <text>29 juin 1895 </text>
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              <text>&lt;p&gt;Thomas Henry Huxley est un naturaliste et un biologiste britannique n&amp;eacute; le 4 mai 1825 et mort le 29 juin 1895. Il a explor&amp;eacute; le Pacifique et le nord de l&amp;rsquo;Australie en 1846. Il rapporte de son voyage d&amp;rsquo;innombrables sp&amp;eacute;cimens de plantes et d&amp;rsquo;animaux. C&amp;rsquo;est gr&amp;acirc;ce &amp;agrave; l&amp;rsquo;&amp;eacute;tude de ces &amp;eacute;chantillons qu&amp;rsquo;il devient lui m&amp;ecirc;me naturaliste. Il publie alors ses recherches et devient professeur de physiologie et d&amp;rsquo;anatomie compar&amp;eacute;e &amp;agrave; l&amp;rsquo;Universit&amp;eacute; de Londres.&amp;nbsp;D&amp;egrave;s la publication, en 1859, de &lt;em&gt;De l&amp;rsquo;origine des esp&amp;egrave;ces, &lt;/em&gt;Thomas Huxley devient un fervent d&amp;eacute;fenseur de la th&amp;eacute;orie de l&amp;rsquo;&amp;eacute;volution de &lt;a href="/omeka/items/show/13"&gt;Darwin&lt;/a&gt;. Il passe la fin de sa vie &amp;agrave; convaincre les &amp;eacute;lites du bien-fond&amp;eacute; des nouvelles id&amp;eacute;es sur l&amp;rsquo;&amp;eacute;volution. &amp;nbsp;&lt;/p&gt;</text>
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              <text>HUXLEY, Thomas Henry, &lt;em&gt;On our Knowledge of the Causes of the Phenomena of Organic Nature&lt;/em&gt;, London, R. Hardwicke, 1862, 157p.</text>
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                <text>Photoglyptie de Huxley par Lock &amp; Whitfield.</text>
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